Showing posts with label finger-style guitar. Show all posts
Showing posts with label finger-style guitar. Show all posts

Sunday, February 14, 2010

Dumbfoundead - Jam Session 2.0






How cool is this? This is the results of a jam session put together made up of 8 people with 5 instruments from 4 continents speaking 3 languages all for 1 song.

There's one word I can think of for that, and that is 'Rad!'

Tangent alert:

I recently read in the book Outliers, by Malcom Gladwell, about how examples of people who are extremely successful emerge from very specific sets of circumstances that in large part weren't determined by them. We in America are in love with the self-made-man, bootstrapping, rags-to-riches stories of amazing people who succeed against all odds.

I personally really like the idea and generally believe we are the masters of our own destiny. I have a high internal locus of control. I do believe that whether or not I am correct in thinking that we can achieve whatever we really put our minds to, I think it is beneficial to believe that as it seems to be a trait of successful people.

So what led me down this train of thought is the fact that we are living in such an insane age of technological progress that every day huge opportunities are being opened for us that just couldn't have happened even 5 years ago.

Case and point: The song that you are listing to, Jam Session 2.0

When I see these genius collaborative applications for existing technologies in conjunction with the internet I get really excited. This is the embodiment of the vision for the internet. This is the future. Cliché as that sounds, I really mean it.

We currently exist at a very specific nexus in space and time where the vision for what technology could one day do for us is crossing paths with what we actually have access to. Now don't get me wrong, there have been accelerated periods in the evolution of human thought and technology in the past, but I really believe we exist during one of the most spectacular enlightenment or renaissance-type periods that the world has seen.

So what I take away from seeing a truly collaborative work of art like this (and a good one at that) is the fact that this is art that could not have been possible even 5-10 years ago. I dig other new technologies for their neatness factor, but ultimately technology is a means, not an ends.

In a nutshell, this is the intersection of theory and reality. Ultimately, this is the rubber-meets-the-road land in which I want my life, career, and art to occupy.

I am literally giddy at the idea of musicians from anywhere in the world being able to record a studio-quality track in real time from several different continents with nothing more than their instruments, some basic recording equipment, and a home internet connection.

[Aside: Did you hear that, recording industry?! Your 80 year old business model needs to f-ing evolve or else your ass is obsolete! Don't try to blame illegal downloading. The recording industry is just finally coming around to the fact that we don't consume music (or any media) in the same way as we did 20 years ago. But... that is a separate subject for a separate argument so I'll put my animosity toward the recording industry away for the moment.]

I really feel like I would be missing out on the opportunity of a lifetime if I didn't take advantage of this technology as it evolves and I figure out what to do with my life. You can start/test businesses for a couple of hundred dollars. You can create new ways for people to interface with each other in meaningful ways that non-tech-heads can understand and use. You can connect musicians to play live with each other from across the world. You can distribute media without needing to own any physical infrastructure. The barriers to entry to just about any intellectual or artistic pursuit are lower than they have ever been.

Your world really is what you make it.

So this is a music blog not a tech blog right? I suppose I should get back to that...

The one thing I wonder with this is how they planned for / collaborated this jam session. When you are playing with other musicians, you often rely on visual cues from each other to know who is taking the lead and when.

I do like good hip-hop, and Dumbfoundead seems to be pretty solid as far as that goes. I do recommend you check out some of his other stuff, but I feel like this particular song is bigger than him.

Of course I did like the finger-style guitar, but all the instrumentalists were pretty darn good. They did a good job of laying back and letting others take the lead when needed. When I first read about this concept, I thought, 'Oh great, there will be no less than 3 musicians at a time noodling out their solos making the song incomprehensible,' but that really wasn't the case here.

I loved Esna's singing voice! Great sense of timing and expression. She rocks. I had never heard of her before, but after a bit more research I found a collaboration with Esna and Sam Hart! (You may remember Sam Hart from such awesome internet sensations as "Mario Kart Love Song". On a personal note, I love this song and have covered it multiple times. I love when I connect the dots between my favorite artists!)

Alrighty, it's almost 4:00am here so I'll wrap this up. I want to leave you with a couple recordings that I fell in love with while doing the research for this post.

Enjoy!

Esna Yoon - Deepest Scar:

This video really does a good job of showcasing Esna's voice. Watch it in HD if your internet connection has the cojones. (Mine doesn't; stupid AT&T!)




Sam Hart & Esna Yoon - As You:

This is the collaboration I mentioned between Sam Hart & Esna Yoon.




Sam Hart - Mario Kart Love Song:

If you haven't heard this song, it's one of the most beautiful love songs based on a Nintendo game that I have ever heard. It is also the closest thing anyone will get to a Valentine from me.




P.S. You really should check out Dumbfoundead at http://dumbfoundead.com/. He has some good stuff, and his current album is available for download for FREE. I won't get back into the recording industry rant, but distributing music for at cost or free really does benefit the up-and-coming artist and I would be happy to debate that point with anyone.

Monday, September 14, 2009

¿¡New Contributing Editor?!

Hello Everybody!

You may know me from my characteristically long philosophical musings taking up much of the comments section on this blog.

Well, good news! I've been promoted from commenter to blogger. Hmm... nix that, let's call it, "Contributing Editor." That sounds more like something you could put on a resume.

So I'm the new Contributing Editor for this music blog.

The good news for you, our loyal readers, is that in theory, this should increase the frequency of postings.

Without futher adeiu, here is my first post...



Bïa Krieger - Momento de Graça
(Click on the above link, then click on Momento de Graça to play.)


There are some songs that make me stop what I am doing and give the full attention of my senses to listening and experiencing the moment constructed by the artist. This is one of those songs.

The word soulful seems like a vague musical cliche that is tossed around a lot to describe prominently featured singers in an acoustic group.

Overuse aside, I can think of no better term to describe this recording done by Bïa Krieger.

Whatever she's feeling, whatever she's saying, you feel it. Longing... waiting... there's subtle tension in every note.

This song takes it's time. The sounds are deliberate and rich. It slowly fills you up with sense of mellow tension the way smoke would slowly fill a room with no ventilation.

Here are the lyrics:
Ando esperando
Esperando tanto
Por um momento de graça
Coisa que passa?
(Ou que fica
Mas só
Porque não sabe onde ir)

Andei procurando um mar de areia
Pro meu corpo pousar
Quando dei por mim, madrugada já
Quando dei por mim, madrugada já
Other reasons why I am instantly in love with Bïa and her music:

The instruments used in her arrangements as I also play and love to listen to. In particular acoustic finger-style guitar, acoustic bass, and saxophone.

The more I read about her the more I fall absolutely in love with her life. Take this excerpt from her bio on her website:
"Bia spends a few years sailing around the Atlantic and Mediterranean, learning more about nature, literature, languages, music and politics than she would in any school. In 1995, she decides she won’t be anything else but a musician, and starts going professional. She is living in France and so she sings in French as well as in her mother tongue, Portuguese, or Spanish that she had learned as a child."
Finally, something about that picture with the guitar is just... well you get the idea.

Cheers!

-Ron